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The Gestapo arrested him on suspicion of his position from the bombing. Krafft was in the position to show to his interrogators that he could correctly forecast activities by using astrology. The Gestapo released the astrologer and in 1940 the Nazi Social gathering asked for that Krafft apply his expertise for their cause. Goebbels hired him to translate the prophecies of Nostradamus to be used as propaganda in opposition to the Allied forces. Krafft wrote with the downfall of Great Britain that was to become circulated into the Belgians as well as French.

Krafft was arrested on 12 June 1941, as Section of a crackdown on astrologers, religion healers and occultists following Rudolf Hess's flight to Scotland. He was launched in 1943 and set back to propaganda function, even so the integrity of his forecasts quickly told versus him.

Krafft experienced previously carried out an formidable statistical investigation of cosmic influences on persons and formulated his have system of "typocosmy." His guide Traité d'Astro-Biologie was printed in Brussels in 1939.

His work on canvas, paper or other media is conceived as summary and extraordinary expressions of present-day artwork.

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Cada obra aporta sensaciones diferentes al espectador y es entonces cuando el artista considera que la exposición está realmente terminada, ya que es apreciada por todas las personas que la visitan y la admiran. 

In so executing he opened the door for more heat transfer Investigation. After educating and dealing in Switzerland and Germany amongst 1917 and 1925, he was appointed for the chair of theoretical mechanics in Munich.

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Aún así, asegura que siempre que puede evita el bloqueo. «Hay que seguir trabajando, y si no te sientes lo suficientemente concentrado, debes mantener las disciplinas y moverte en el ambiente laboral». Kraft cree que uno de los mayores errores que puede cometer un artista es desanimarse y dejarlo, ya que cuando quiera retomarlo, no se atreverá ni a coger el pincel.

His Focus on canvas, paper or other media is conceived as summary and spectacular expressions of up to date art.

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«Dos trazos de pintura que se crucen no es una mera cruz, es el simbolismo here que representa» recalcó. Los colores, los trazos y las tonalidades oscuras aportan valor al conjunto de obras, y tal y como destaca el autor: «El trabajo elaborado en esta exposición, no se basa en un guión determinado, sino que más bien es un juego». Pero sin duda, Kraft señala que la parte gráfica es algo que persiste en todas sus obras. 

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